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Find of the Month, September

by Cova Escandon (Archive Supervisor)

An unusual set of jewellery was found from the grave of an adolescent individual from a Roman Necropolis in Lincolnshire, dated to the 4^th century AD. The grave good assemblage is made up of a group of copper-alloy, bone and iron bangles, along with a copper-alloy chain, glass beads and one copper-alloy ring.

Bracelets made of all types of materials were most common in Britain during the 4^th Century AD, and had been used by the Romano-British elite since early Roman times, often fabricated with precious metals. However, around the time of the 4^th Century AD, the use of these bangles became more common in the general population with materials such as bone or copper alloy used instead of precious metals. Such bangles were often worn with between six and sixteen bangles on both wrists. This practice would explain the large amount of fragments of metal bangles found in domestic contexts from the late Roman period. In the set found by Allen Archaeology, there were also several fragments of bone bangles which became very popular during the 4^th century.

Eight copper alloy bracelets were discovered within the grave, all in different styles, three of them decorated. Such decoration includes an incised decoration of a repeating pattern of III X III, and on other bangles motifs including a wavy line with associated dots, faint cross-hatching, and a ring and dot design can be seen. Interestingly, this ring and dot pattern is also present on one of the bone fragments, suggesting that this group of metal and bone bangles were designed to be worn together.

III X III decoration on copper alloy bangle

Ring and dot detail on the copper alloy bangle

Three of the bone fragments have holes drilled through one end and one fragment also has an iron rivet still attached. Two other fragments are joined together by a thin copper-alloy plate, suggesting that these bangles could have been made in sections and then attached together.

I always find curating these sort of finds a little bit bittersweet. On one hand they are very pretty and interesting artefacts, highly useful in being able to date the burial. But on the other side, they remind us that what we have in front of us is a human being, carefully buried with personal items.

Kilns and kiln furniture!

By Kelly Corlett-Slater

I am a History and Archaeology student at Bishop Grosseteste University and I have been volunteering at Allen Archaeology for four weeks during the summer holidays. During my time here I have been doing post-excavation finds processing with Archive Supervisors Yvonne Rose and Cova Escandon; washing and marking finds from a late Roman kiln site in north Lincolnshire.

My favourite artefacts so far have been large fragments of ‘kiln furniture’ which now appear as very heavy, dark grey pieces of baked clay which would have formed part of the internal workings of a Roman kiln. These would have been in the form of kiln supports, a floor, and possible dividers or ‘wheels’ where the pottery was placed for firing. These were covered in powdery black silt which was easy to wash off. When these artefacts were clean and dry, the evidence as to how they were made becomes apparent. I was able to distinguish the folds in the clay, the fingerprints of the potter or kiln-maker, and the indent marks of straw and twigs that would have occurred when the clay was first used to line the kiln.

Kiln furniture from a site in North Lincolnshire

Allen Archaeology’s trainee Roman pottery specialist, Alice Beasley, explained how the kiln would have looked and functioned, describing how the repeated firing of the kiln would have melted the inclusions within the clay giving it an overall denser and darker appearance.

At least 4,500 sherds of pottery have been recovered surrounding the six kilns on site, with many pieces showing evidence of unsuccessful firing. These have bubbles on both the inner and outer surface that have expanded and exploded in the kiln during firing. To me these are more fascinating than successfully fired pieces of pottery! These unsuccessful broken sherds occur when the potter has not sufficiently beaten the clay to remove excess air bubbles or if sufficient temperatures have not been reached during the firing process.

Pottery sherds showing evidence of unsuccessful firing

Having just completed Antony Lee’s Roman Archaeology module at BGU, I learnt a lot about the different types of Roman pottery found in Lincolnshire and how they were made. Volunteering at Allen Archaeology has compounded this knowledge giving me the wonderful opportunity to have hands on experience with these artefacts and having experts answering my many questions. I have thoroughly enjoyed my time here and look forward to returning to do some more voluntary work in the future.

Allen Archaeology Abroad

By Alice Beasley, Project Archaeologist

For the past 8 years I have been travelling to the island of Rousay, Orkney to participate in an excavation on a multiphase site at the Knowe of Swandro run by the University of Bradford in collaboration with the William Patterson University and the City University of New York as a student training excavation. Thanks to the powers that be here at Allen archaeology my time in Orkney continued out of university and into my professional career. The site consists of a Neolithic burial chamber surrounded by Iron age, Pictish and Viking settlement.

The site is constantly under threat from coastal erosion and, despite covering the excavation with nearly 40 tonnes of stone every year, damage is being done. This summer I had the pleasure of working near the chambered tomb attempting to record and remove the rubble built up against it in the Iron Age. We have a lot of evidence that the tomb has been altered during this period ( https://www.swandro.co.uk/dig-diary/dig-diary-saturday-21st-july-photo-clean-frenzy) when a large round house was built right on the top of the mound probably recycling stone from the tomb itself.

After finding a new wall on day 1 I carefully excavated a collapsed roof above layers of rubble riddled with voids and pottery all built up to support a rather crudely made wall that was probably part of a cell like structure tacked onto the outside of the tomb. Nothing on this site is simple which is one reason why I like it so much, walls appear then disappear into other buildings, and are refaced many years later, some buildings have been dug out and smaller ones built within, and others have been completely backfilled and built on top of. All this information adds up to give a very complete history of the site. I get to spend all day working on a beach with amazing views and the infamous changeable Orkney weather, which this year has been very kind to us.

Part of the wall structure

It would be very remiss of me not to mention the Pictish smithy, a fantastic partially subterranean building, home to a copperworking smith using Viking technology for the alloys and leaving his (or her) sooty handprints on the stone anvil. Almost every day amazing artefacts are found be it a painted pebble, worked antler or an almost complete pot. I would highly recommend visiting the website set up by the Swandro – Orkney coastal archaeology trust website www.swandro.co.uk for more in depth information including a dig diary!

The very exciting Pictish smithy!

Our Volunteering Experience

By Roksana P. Drobinoga and Louise Wood

We have just finished our first year on the BA Conservation of Cultural Heritage degree course at the University of Lincoln and decided to do some volunteering work during the summer break to improve our knowledge of areas related to the conservation field and to see what happens to the objects before they get to the specialists.

On our first day we started with the Archive Supervisor, Yvonne Rose, explaining what happens to the objects when they arrive from the sites currently being excavated. We were given a tour of the building and shown the offices, the artefact processing room where the objects are cleaned and placed in trays according to their site codes and context numbers, and the drying room where the artefacts are left on designated shelves and in appropriate environmental conditions. We were also shown a number of artefacts which have already been processed and are in storage; for example, Saxon brooches and Roman hair pins. Later, objects are numbered and bagged ready to be given to the archive supervisor to be catalogued before being sent to specialists for further examination.

Our role was finds processing which meant that we were responsible for cleaning the artefacts after they had arrived from site, marking them once they were dry, and bagging them in preparation for cataloguing. We have learnt that each type of material has to be treated differently. For example, you cannot mark shell or human bone and you cannot wash metal objects. We now have a better understanding of the marking/numbering and cataloguing processes.

Roksana (left) and Louise (right) cleaning objects in the artefacts processing room

Our experience with Allen Archaeology has been educational and informative and it was fascinating to handle objects that have been hidden away for hundreds of years! It was interesting to meet some of the archaeologists, hear their stories and learn about their work. In the future, when we receive historic artefacts to work on as part of our course or careers, we will know how much the object has been through and how many people have been involved before it reaches us.

Weekly Round-up

Following on from yesterday’s ‘Ask and Archaeologist’ day we thought we’d do a little office round up to give you an insight into what our staff have been working on this week!

Our Finds and Archive Department have been busy this week preparing finds for archive deposition and preparing material to go off to the relevant specialists. We have also had a number of volunteers come to work with us from the University of Lincoln over the past month and this week we welcomed Roksana and Louise who have been washing various finds from some of our recent sites and marking the pottery ready for archive deposition.

Roksana and Louise marking some pottery from a recent site

The head of our geophysics team, Rob, has been doing some digitisation for a large linear infrastructure site in Lincolnshire as well as doing a watching brief in a small village just outside Lincoln. Mia, one of our Project Supervisors, has been busy working on some building recording reports for a range of sites in Lancashire and Cambridgeshire.

Rob of our Geophysics team looking very studious!

The Heritage Research Team (affectionately known as Heritage HQ) have been working on a variety of desk-based assessments for sites in Nottinghamshire, Cambridgeshire, and Lancashire. Heritage team member Harvey has been out visiting sites in Cambridgeshire and Nottinghamshire and has discovered some interesting cropmarks just outside of the Cambridgeshire Archives at Shire Hall which relate to the site of the old county prison. He thought it might have been a Roman building associated with a known Roman settlement to the north. Better luck with your interpretation next time Harvey, it happens to the best of us! Thanks to the effect of the hot weather on the ground, a lot of cropmarks have now become clearly visible across the UK.

Possible cropmarks visible outside of the Cambridgeshire Archives

And of course, our field teams have been busy across the country! With sites in Lincolnshire, Leicestershire, Suffolk, and Cambridgeshire (amongst others!) our field archaeologists have been working hard to excavate and record an array of archaeological features. We’ve also had some great finds from our sites this week, including some complete Roman vessels from a site in Lincolnshire!

Our field team having fun on site in Leicestershire

So it has been a busy week for us all here at Allen Archaeology and with the food festival coming to Lincoln this weekend I’m sure a few of our staff will be visiting!

Best Site Hut Biscuit with Hazel

Introducing Hazel Taylor, Trainee Project Archaeologist

What is your job role?

Trainee Project Archaeologist

How long have you worked for Allen Archaeology?

6 weeks

How would describe your excavation technique?

I try to find an edge and work from there… although my sections definitely need work!

How long have you been working in archaeology?

6 weeks but I did two training excavations with my university whilst studying for my degree in History and Archaeology

How did you get into archaeology?

By watching a lot of TimeTeam and visiting Pompeii and Herculaneum as part of a Latin trip when I was at school

What is the best thing about your job?

Learning lots of different skills like using GIS

Specialist skills?

Being able to get mud all over my face and arms without even knowing how it got there…

Best site hut biscuit?

It’s hard to choose between a chocolate bourbon or a fruit shortcake!

Find of the Month, June – Roman graffiti and stamped pottery

Written by Cova Escandon (Project Supervisor, Archives)

This month has brought us some very lovely finds including some stamped pottery and roman graffiti from a site in Staffordshire!

Graffiti was common in Roman times and was probably considered a type of self-expression. In Pompeii, more than eleven thousand examples have been unearthed. The graffiti covered all sorts of subjects, from mockery, poems, love declarations, puns, political propaganda, advertising for rent, and prostitutes… even announcements like a reward for returning a copper pot stolen from a shop! There are also numerous examples of what seems to be people practising alphabet letters or sentences in order to learn to write or improve their skills, a sensible idea considering paper was very expensive, and walls were free!

As well as graffiti, pottery was sometimes marked with a stamp. This was sometimes done as the pottery was loaded into the kiln, often as they were of communal use. Since the work was standardized and stylistically homogeneous, a record was kept of the number of ceramics loaded into the kiln. This could also be recorded on a plate baked with the rest of pottery. It is also possible that the ceramicist wanted to sign their work. Here are a few examples of stamped mortaria and stamped samian ware, recently excavated from a site in Staffordshire. The stamp on the mortarium sherd is an example of the work of the potter Brucius or Bruccius who is believed to have been based at Brockley Hill during the period AD 80-100 (Fiske 2018). It can be closely paralleled with an example from Gorse Stacks in Chester (Cuttler et al 2012, Fig. 2.22.61; M2).

The samian ware stamp is believed to read ‘AVSTRIM’.

Stamped mortaria from a site in Staffordshire

Stamped samain ware an excavation in Staffordshire

Stamped samian ware from a site in Staffordshire

In graffiti, the inscription was made by scratching into the wet clay with a pointed tool. It is written in Roman Cursive Script, the everyday form of handwriting. It would be used by merchants keeping business records, children learning to write, and quick informal text. It was most commonly used between the 1^st Century BC and the 3^rd Century AD and was often used to provide a description of the contents of the pot!

We think it possibly reads as ‘ulvia’ – what are you interpretations?

Roman amphora with grafito inscription from a site in Staffordshire

Many thanks to H. G. Fiske for providing a written interpretation of the stamped mortarium sherd (Fiske 2018).

Cuttler, R., Hepburn, S., Hewitson, C. and Krawiec, K., 2012, Gorse Stacks – 2000 Years of Quarrying and Waste Disposal in Chester, BAR British Series 563, Birmingham Archaeology Series No. 13

An introduction to finds processing and conservation

By Lucie (Volunteer from the University of Lincoln)

I’m currently studying for a degree in Conservation of Cultural Heritage at the University of Lincoln and have just finished my second year. As part of the course I have to do a six week work placement to gain some experience of working in the world of conservation, and as I hope to specialise in archaeological conservation when I graduate, I chose to come to Allen Archaeology. This seemed like a perfect opportunity to not only see how a commercial archaeology company works but also to get some hands-on experience.

I’ve been working in the finds department, processing the finds which involves cleaning bags and bags of objects that have come from the various sites that the company are excavating. So far this has mostly comprised sherds of pottery and animal bones along with a few iron nails and pieces of ceramic building material (CBM). Once the finds are clean and dry they are marked and repackaged in labelled bags ready to be archived.

However, it’s not all been bits of broken pottery. I was lucky enough to be given a large Iron Age bowl to work on that had been excavated from one of the sites and was still encased in the clay soil from which it had come from. I carefully removed the soil layer by layer using various tools from my conservation tool kit to ensure there was nothing else within the soil and also to ensure that I didn’t cause any damage.

Conservation of the Iron Age pot in progress

Details of the ‘slash-ware’ start to emerge!

Once as much of the soil as possible had been removed and the pot had had a chance to dry out a little I washed the remaining soil off it using a toothbrush and left it to dry thoroughly. After it had been cleaned there was a pattern visible on the outer surface which is apparently called slash-ware because it looks like it has been slashed. To be one of the first people to see it since it went into the ground is a real thrill and for me, part of the excitement of working with archaeological finds.

Pottery sherds after conservation

I’m really enjoying my time here, getting to be hands on with the finds is great and to be given objects that are thousands of years old to clean is a dream come true for me as this is a job I have wanted to do since I was young.

Best site hut biscuit with Ben

Introducing Ben Lang, Trainee Project Archaeologist

What is your job role?

Trainee Archaeologist

How long have you worked for Allen Archaeology?

2 ½ weeks

How would describe your excavation technique?

Methodical clearing of half the feature in question, followed by measuring and recording the feature.

How long have you been working in archaeology?

One-year commercial work plus I have volunteered on university lead excavations as early as 2011 when I was still doing my BSc (Hons) Archaeology degree.

How did you get into archaeology?

I first started Archaeology as one of my A levels in 2008 before doing a BSc (Hons) Archaeology degree while also volunteering with university lead project abroad. I also had prior experience doing volunteer work with an archaeologist friend in Switzerland helping to reconstruct metal smelting kilns and techniques from his excavation in Cyprus.

What is the best thing about your job?

All the experience I’m learning

Specialist skills?

3D laser scanning, good with computers

Best site hut biscuit?

Chocolate digestives