Category Archives: Project Supervisors

Over the last weekend a few members of the Allen Archaeology Team (including the eponymous Mr. Allen himself) volunteered their services to excavate at the nearby National Trust Property of Calke Abbey in Derbyshire, as part of Calke Abbey Live Archaeology weekend 2016. The dig was organised by the National Trust and headed up by their archaeologist, Rachael Hall (check her out on Twitter she’s great!), along with a host of eager volunteers from the property and from the Calke Abbey Family Archaeologist group.

Saturday began with “the professionals” setting out and de-turfing the areas for investigation, Trench 1 which was located to the front of the house in the lawn, and Trench 2 which was located to the northeast of the house and was targeted on some fragments of masonry that had been revealed during earlier groundworks in the area. It became obvious fairly quickly that it was not going to be easy digging in Trench 1; but Trench 2 looked promising, with more fragments of brick already popping up and a small gaggle of Young Archaeologists (and Big archaeologists!) excited to see what was going to happen.

The sun was shining and there was archaeology to uncover!

A slow start in Trench 1; There was no escaping the sunshine and the ground was so concreted that even the most enthusiastic and energetic volunteers were struggling to break ground!

A slow start in Trench 1; There was no escaping the sunshine and the ground was so concreted that even the most enthusiastic and energetic volunteers were struggling to break ground!

It became clear almost immediately that Trench 2 contained some interesting archaeological remains, and very quickly the fragments of bricks that had prompted our investigations turned into a wall with a very awkward angle.

Promising beginnings in Trench 2!

Promising beginnings in Trench 2!

By the end of the first day the trench was beginning to take shape, with hints of a possible octagonal building beginning to emerge, although quite what it was that we were revealing was still a bit of a mystery and everyone seemed to have different ideas as to what this structure was. We had suggestions ranging from a folly to a possible gravity fed water tank for the ornamental fountains in the garden below and even suggestions of aliens! But it was safe to say that all of the volunteers left site excited to see what tomorrow would bring.

The volunteers busily exposing the building on day 2.

The volunteers busily exposing the building on day 2.

The second day began in a similar way to the first, the sun was shining, Trench 1 had been abandoned due to unforgiving digging conditions (apparently there was still another meter to dig through before they reached the archaeology!) and all our efforts were concentrated on the exciting remains which were appearing in Trench 2.

By the end of the day the foundations of most of a large octagonal building had emerged (the full extent of it was of course hidden underneath our spoil heap!) and the Young archaeologists had revealed not only an outer wall, which appeared to be the remains of a garden wall with fancy stone plinths, but also the remains of a slightly more substantial inner wall which looked suspiciously like the foundations for a building.

Armed with this new information and looking specifically for an octagonal structure in the area to the northeast of the house, a quick scan of early Ordnance Survey (OS) maps of the area (check out www.old-maps.co.uk) revealed an indication of this building, as well as the extent of pathways leading up to and around the structure. One of the volunteers, Colin, also managed to locate a sketch from the 1840’s showing a summer house!

The top of the wall and a possible plinth.

The top of the wall and a possible plinth.

After two days hard work, and a lot of exciting revelations the site has been put to bed again. But never fear, and Calke Abbey Live will be returning and planning has already begun for next year’s investigations.

It’s been a busy week at AAL so this weeks blog is a little round-up of what we’ve been up to.

Warning: Images of human remains feature in this post

A Roman adult buried face down (prone)

You might have already seen the excitement on our site at University of Lincoln. During monitoring works we uncovered human remains dating from the Roman period close to the River Witham.

Glorious views in Cumbria

Tobin has been visiting a site in Cumbria where we have been undertaking a Watching Brief

Rachel working on Damian's site near Peterborough

Damian has had a team out working on an evaluation near Peterborough.

The geophysics team enjoying a break in coastal Lincolnshire

Rob has been out with a team to start a large geophysics project on the Lincolnshire coast where they’ve been contending with a lot of weather but enjoying the location!

Fee's been working hard in London

Fee’s been working hard in London

Al is dealing with challenging conditions in Brentford

Al is dealing with challenging conditions in Brentford

Work is continuing on our "big" project in Market Harborough where the team are undertaking a

Work is continuing on our “big” project in Market Harborough where the team are undertaking an open area excavation

Bryn has been working hard processing environmental samples

Bryn has been working hard processing environmental samples

Yvonne has joined the archives team and is getting up to speed as Cova heads off on maternity leave

Yvonne has joined the archives team and is getting up to speed as Cova heads off on maternity leave

Nasha has been busy editing reports and dealing with publicity.

Nasha has been busy editing reports and dealing with publicity.

Josh has been analysing lithics for a specialist report

Josh has been analysing lithics for a specialist report

According to a helpful little counter that shows up on my employment record I have been working for Allen Archaeology for 2 years 6 month and 23 days. Nothing particularly ground breaking, but in that period of time I been fortunate enough to work on some incredibly interesting and exciting sites but I’ve also progressed from a Trainee Project Archaeologist to Project Supervisor level and in the process received a staggering amount of training and learned what it means to be a commercial archaeologist along the way.

Taking part in a field school at Nevern Castle while at uni

Taking part in a field school at Nevern Castle while at uni

I have always loved history, but it wasn’t until I started looking at University courses that I realised that when I grew up (!) I actually wanted to be an archaeologist! So in 2010 I went to study Anthropology and Archaeology at Durham University, partly because it was something that I thought would be interesting and partly because they let me live in the castle. It was pretty good in that it gave a very comprehensive overview of archaeology, but like most archaeology degrees lacked in practical aspects; in fact there were no compulsory archaeological fieldwork modules as part of the course. Nonetheless, I left Durham with 8 weeks of field experience, and the overwhelming impression that commercial archaeology may not be something I really wanted to look into; it was a bit too cynical and our yearly “careers” talk made it seem like the commercial world was not an exciting one to work in. So when my degree ended I made the decision to take a year off, earn some money, and then go back and do a masters.

This plan however spectacularly failed. I moved back to Lincolnshire and got a call from AAL (a year after I had applied to be a volunteer with them!) asking if I was available to work and offering to employ me. I started in September 2013 as one of their trainee site assistants, with very little experience of what commercial archaeology was or what was expected of me.

I did have a trowel though; so it was a start.

Where I cut my teeth was at AAL’s colossal North Killingholme project (NKAM) and training was given on the job. I was told what I was expected to do and then left to get on with it; sort of like being thrown in at the deep end and “shadowing” the other project archaeologists when I needed guidance. There was no formal training plan but I think it was a pretty effective way of learning the basics, and there was always someone nearby to help when I got lost.

It was fairly simple archaeology to begin with, putting metre sections through Roman ditches, and the thing I remember most is continuously being squeaked at and asked by the PO on site “Are you happy with those edges?”. It turned into a bit of a game with all the other PA’s on site, lightly mocking this phrase, but it taught me how to excavate quickly and accurately and helped me progress into being a real Project Archaeologist. Learning how to record took me a little longer however, it was a whole new experience being shown how to draw to scale and how to trust my interpretations of features, but I got there eventually and was able to move onto digging larger and more exciting features, like ditch intersections, Roman Kilns, and ring ditches.

Excavating a skeleton in October 2014

Excavating a skeleton in October 2014

That’s one of the things I enjoy about working here, that there is a lot of effort devoted to trying to training staff and to give everyone a rounded knowledge base; everyone learns how to work the survey equipment and is expected to be able to excavate and record a feature from start to finish, and everyone gets some experience in post-ex be it finds processing, writing context summaries, or producing figures. It’s something that I massively benefited from.

The next year was a massive learning curve and I received a lot of training beyond the practical skills I was still learning in the field. I got to handle a lot of the material remains that were coming from sites through washing and processing the finds and I started learning the basics of post-excavation work and about working with GIS programs by digitizing drawings and phasing sites. I spent a lot of time staring in frustration at muddy scans while digitizing plans and sections and at the array of pastel colours used to phase the NKAM sites, . It wasn’t always the most exciting things, but it defiantly helped me become a more rounded archaeologist, and made me realise the importance of properly recording and checking the work we do on site!

DIgging the ring ditch at North Killingholme

DIgging the ring ditch at North Killingholme

At the end of June 2015 positions became available within the company for Project Supervisors and, with the support of my line manager, I applied and was given the job as a trainee supervisor. Unlike my last traineeship, this position had a much more structured training plan and I was given tasks which needed to be signed off by various managers and project officers in order to check my progress. It was a little messy at first as there was still a massive hands on approach, and it took some time to actually be able to put the training plan in place for various reasons, but I started off in a safe place, back at Killingholme guiding our new trainees, before being sent off on some of my own jobs. Like before I started off small; with small scale watching briefs and evaluation sites which over the next few months gradually progressed into slightly larger jobs, with a few other team members to supervise. It took some adjusting to (and a lot of site visits and phone calls asking questions before I got my bearings!), but it was exciting and I got to work on some interesting sites and developed a particular interest in community based archaeology. I had enjoyed working on some of the previous outreach projects such as the open days at North Killingholme and at the Canwick Bomber Command Memorial site in 2014, so when I was given the opportunity to work on a few community projects run with the National Trust I jumped at the chance!

Talking to volunteers on a community dig at Hinton Ampner

Talking to volunteers on a community dig at Hinton Ampner

What changed most with this new role, however, was the responsibilities beyond the fieldwork and learning how to manage a site, and I got the chance to develop more post excavation skills. I learned how to structure reports and produce figures and I spent a lot of time in the office repeating this process until it was second nature. Again it’s not always the most exciting thing, and some days it’s incredibly frustrating and I wish I was outside happily digging ditches, but it is worth it. There is a special sort of pleasure you can take in making a figure look pretty, or getting your teeth stuck into a particularly interesting site you are writing up!

I suppose what I take from all this reminiscing about the considerable range of traineeships and professional development I have experienced within Allen Archaeology over the past two and a half years, is that I’m incredibly proud of my achievements here and, despite a number of stumbles along the way, I am very grateful for the continuous support and guidance I have received at all stages, from everyone within the company. It’s made me the archaeologist I am today and I love my job, especially the community projects and the opportunities to be involved in new team members training, and I hope I give them even a little but as much encouragement and support as I received when I first started.

But I’m still learning.

And I may have realised that now I’m not always joking when I ask people on a site I am supervising if they’re happy with their edges….

At the end of the March I spent four days at the University of Oslo for the Computer Applications and Quantitative Methods in Archaeology (CAA) annual conference. AAL were fantastic and supported my attendance, as did a low income bursary from CAA International. Last summer, prior to getting a job with AAL, I agreed to run a session with Stuart Eve of LP Archaeology at the conference focussing on digital approaches to multisensory engagements with the past (Interpretations from digital sensations). We decided to run the session on the back of a series of discussions we have both had on twitter about each of our research trying to move beyond a visual interpretation of the past.

Piotr Dziewanowski from the National Maritime Museum in Gdańsk presenting scans of the Soldek

Piotr Dziewanowski from the National Maritime Museum in Gdańsk presenting scans of the Soldek

Lawrence Shaw's 3D printed Digital Elevation Model

Lawrence Shaw’s 3D printed Digital Elevation Model

I presented a paper in the session and we had two other speakers; Lawrence Shaw of the New Forest National Park and Piotr Dziewanowski from the National Maritime Museum in Gdańsk. My paper seemed to go down fairly well, which is always nice, and the other two papers were fantastic. The team from Gdańsk presented a series of scans of the museum ship the Soldek, which looked like an incredibly complicated project and produced some amazing outputs. While Lawrence Shaw and his team demonstrated the use of 3d printing to engage the public with the Lidar; letting people “get tactile” with the landscape.

While I was out there I also had some great conversations about how to introduce more digital techniques or applications into commercial archaeology, a slightly ignored subject, and “enthusiastically” discussed over a few glasses of wine at the fantastic Museum of Cultural History… The underlying theme of those discussions was not that commercial archaeology did not need to introduce new and shiny methodologies and applications, but rather that there was no time in the commercial world to roll out and field test new on site approaches and in the UK archives are frequently not willing to accept digital data. For example, I saw numerous approaches to using tablets onsite for recording, instead of the traditional context sheets. This would allow us to avoid digitizing these at the end of the project and should in theory force the appropriate data to be collected in the field. However, setting up and ensuring this system works on the software end would require a lot of development. There are costs associated with buying in the kit. And also is the hardware capable of dealing with a British winter… (Though Mike and Flo from LP highlighted that you can buy ruggedized tablets; the issue is ensuring they are cleaned and dried on return from the field).

One of the Viking Ships and the incredible building they are housed in

One of the Viking Ships and the incredible building they are housed in

Detail of the woodworking from one of the ships

Detail of the woodworking from one of the ships

Somewhere along the line we went to visit the Viking Ship Museum, where my inner maritime archaeologist got very excited. The boats, the artefacts, the preservation, and the building they are presented in is amazing!

One of the sessions that really stood out for me was run by Gary Lock, Agiatis Benardou, Costis Dallas, Paul Reilly and Jeremy Huggett; a roundtable on scenarios for the next five years of archaeological computing. It was a really challenging session making us all think about the future of digital archaeology and I’m looking forward to hearing about the follow up to the session.

Finally on the last day I “conference-bombed” the digiTAG session ran by my friend Sara and her colleagues. They had a couple of presenters drop out and wanted to fill a couple of spots. All I can say what seemed like a good idea at 10pm after a few pints seemed less appealing at 6am the next morning. But I gave a quick presentation on theorising archaeo-acoustics, a presentation I had wimped out of submitting to their session in the first place; and I think it was well received (or at least twitter seemed to think so). The whole session was fantastic and drew together a number of my thoughts on the lack of theoretical engagement with digital approaches. I was sad to miss the concluding discussions.

Since starting at Allen Archaeology in September I’ve been involved with expanding our potential for digital recording and imaging. As you will hear in a later post, AAL have been using some techniques on site for a while but had not experimented with Reflectance Transformation Imaging (RTI).

A photo taken under normal lighting conditions

A photo taken under normal lighting conditions

The same piece of wood viewed under novel lighting conditions and an acute lighting angle

The same piece of wood viewed under novel lighting conditions and an acute lighting angle making the surface marks clearly visible

RTI is a technique which allows multiple images to be manipulated under varying lighting conditions to capture subtle surface information. Put simply when a surface is illuminated from an extreme angle it shows different information to a surface lit from above. By taking a series of photos from a single position but lit from different angles the images can be combined into an RTI, capturing a very accurate record of a surfaces shape. Imagine turning something in the light to discern changes in the surface. It can also allow the object to be viewed under novel lighting conditions allowing further information to be gleaned. Internet Archaeology have developed an online viewer with some examples here.

RTI has been used in research to record and study a whole range of objects and surfaces. Conservators have found the records useful in assessing the condition of artefacts (see here for some examples from the Smithsonian). While specialists in other fields have found the ability to compare artefacts located around the world has allowed their research to evolve (here are a variety of examples).

A normals visualisation of a pot from one of our sites

A normal visualisation of a Saxon pot from one of our sites

A close up of a coin under specular enhancement

A close up of a coin under specular enhancement

At Allen Archaeology we have been using RTI as a supplementary record to photogrammetry, recording some of our particularly special finds. The results can then be sent on to our specialists to help them prepare our reports or to researchers with an interest in particular finds. They can also be used for us to send detailed information to our conservators in advance of the actual objects, helpful where objects are particularly fragile.

Chris and Josh having a go at capturing an RTI

Chris and Josh having a go at capturing an RTI

The joy of RTI is it is quick, simple and low cost. The only equipment needed is a camera which can be used on a manual setting, a shiny ball (which the software uses to identify the position of the lighting) and a way of moving the lighting conditions (this can be a fancy remote flash or a light from a mobile phone). The software to combine the images is freely available (via the Cultural Heritage Imaging website).

Welcome to the first Allen Archaeology blog! We are going to be posting every Friday afternoon little bits and pieces for people to enjoy in their tea breaks. These blogs are going to include exciting things that are going on at the company, profiles of our staff, stories from some of our sites and the things that we do as a commercial unit.

The blogs will give you the chance to hear from staff across the company, from our Trainees to the Directors, and to find out about what it is like to be an archaeologist from the people who are, quite literally, on the ground. We hope to start a conversation about what’s going on in the commercial world, at Allen Archaeology and further afield, so please engage with us!

If you’ve not visited us before why not have a click around our fancy new website and check out who we are and what we do! If you have found your way here then here are some pictures of what we’ve been getting up to this week.

Our directors checking out the video of our excavations at University of Lincoln, made by the Lincoln School of Journalism click here to see it for yourself

Josh is getting started on the Lithics from the Mesolithic site in the centre of Lincoln

Josh Hogue is getting started on the Lithics from the Mesolithic site in the center of Lincoln

Charlotte and Gavin have been out and about undertaking an earthwork survey in Worcestershire

Charlotte and Gavin have been out and about undertaking an earthwork survey in Worcestershire

Look at this beautiful (modern) stratigraphy from Lidl's development site in Dartford

Look at this beautiful stratigraphy from Lidl’s development site in Dartford

Chris has been mapping pottery distributions from one of the North Killingholme sites

Chris has been mapping pottery distributions from one of the North Killingholme sites