Written by Cova Escandon (Project Supervisor, Archives)
This month has brought us some very lovely finds including some stamped pottery and roman graffiti from a site in Staffordshire!
Graffiti was common in Roman times and was probably considered a type of self-expression. In Pompeii, more than eleven thousand examples have been unearthed. The graffiti covered all sorts of subjects, from mockery, poems, love declarations, puns, political propaganda, advertising for rent, and prostitutes… even announcements like a reward for returning a copper pot stolen from a shop! There are also numerous examples of what seems to be people practising alphabet letters or sentences in order to learn to write or improve their skills, a sensible idea considering paper was very expensive, and walls were free!
As well as graffiti, pottery was sometimes marked with a stamp. This was sometimes done as the pottery was loaded into the kiln, often as they were of communal use. Since the work was standardized and stylistically homogeneous, a record was kept of the number of ceramics loaded into the kiln. This could also be recorded on a plate baked with the rest of pottery. It is also possible that the ceramicist wanted to sign their work. Here are a few examples of stamped mortaria and stamped samian ware, recently excavated from a site in Staffordshire. The stamp on the mortarium sherd is an example of the work of the potter Brucius or Bruccius who is believed to have been based at Brockley Hill during the period AD 80-100 (Fiske 2018). It can be closely paralleled with an example from Gorse Stacks in Chester (Cuttler et al 2012, Fig. 2.22.61; M2).
The samian ware stamp is believed to read ‘AVSTRIM’.
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In graffiti, the inscription was made by scratching into the wet clay with a pointed tool. It is written in Roman Cursive Script, the everyday form of handwriting. It would be used by merchants keeping business records, children learning to write, and quick informal text. It was most commonly used between the 1st Century BC and the 3rd Century AD and was often used to provide a description of the contents of the pot!
We think it possibly reads as ‘ulvia’ – what are you interpretations?
Many thanks to H. G. Fiske for providing a written interpretation of the stamped mortarium sherd (Fiske 2018).
Cuttler, R., Hepburn, S., Hewitson, C. and Krawiec, K., 2012, Gorse Stacks – 2000 Years of Quarrying and Waste Disposal in Chester, BAR British Series 563, Birmingham Archaeology Series No. 13