Tag Archives: commercial archaeology

What is your job role?
Project SupervisorCharlotte Tooze

How long have you worked for Allen Archaeology?
I started working for AAL in October 2013, so three and a half yearsish?

How would describe your excavation technique?
A fellow colleague once told me that if my digging style was an animal, it would be a ‘Chattering Brummy Peacock’

How long have you been working in archaeology?
My first commercial job was with Wessex Archaeology in Salisbury in July 2013

How did you get into archaeology?
I took a break from education after finishing my A-levels because I had no clue what I wanted to do. During the first few months of part-time supermarket checkout worker boredom I watched A LOT of Time Team episodes and decided to give it a go.

What is the best thing about your job?
Working out the story of a site. Finding Quernstones (Oh, and sitting opposite the handsome specimen that is Roger Evershed in the office)

Specialist skills?
Inventor of the infamous ‘Mud or Poo’ game, which I now hear is sweeping the nation. Founder and CEO of ‘Gin Wednesdays’…and I quite like Earthwork Surveying

mud or poo

Mud or poo?

 

Best site hut biscuit?
Milk Chocolate Digestive… Every. Single. Time.

What is your job role?
Senior Project Archaeologist

How long have you worked for Allen Archaeology?
I have worked for AAL since September 2015 with a quick travelling break to New Zealand in the middle. Although I did have a coffee and cake with a Historian out there so I’m going to call it a ‘research break’…

How would describe your excavation technique?
One cut. One fill.

Nicky digging

One cut, one fill

How long have you been working in archaeology?
Since September 2014

How did you get into archaeology?
I wrote a list of ideal jobs when I was about 8 with Archaeologist appearing second on the list after marine biologist but I don’t like boats so here I am!

What is the best thing about your job?
I love working outdoors, having in depth site discussions about why anyone would want to dig so many holes (pot calling kettle black me thinks), the copious amount of biscuits, finding really shiny things, finding not so shiny things, the list could go on!

Specialist skills?
Onsite recycling enforcer

Best site hut biscuit?
The mighty Hob nob! ‘Hobnob’ also incidentally was used in the early 19th century to mean ‘to socialise’ – something all archaeologists like to indulge in, if not with hobnobs then with other grain related products. Making me love Hobnobs even more, if possible!

Nicky Grayson, Project Archaeologist

We’ve just finished work on a site in Cambridgeshire and excavating a ring ditch here was probably one of the highlights of my time on the job.

It is really satisfying to work on something concrete; a feature about which you can say “yes, someone was here and dug this and now I’m here at the other end repeating the process” simple pleasures eh? Even if there are no finds just the idea that I am standing in the same spot working on the same thing that someone else was a few thousand years ago is enough to make the daily grind exciting and meaningful…most of the time.

While digging I bandied around a few ideas for the feature’s interpretation.

Could it be a round house? It does have four stake-holes in the middle which could potentially form part of a circle for an internal structure, the others might simply have disappeared on the bottom of peoples shoes as we did have a particularly wet week. No hearth or other domestic features were found within the ring ditch  and the ditch was 1.2 meters across in places which is a little excessive for a drip gully – so are we dealing with the foundations of a wall? If so, why no postholes in the bottom of the ditch, and why weren’t any finds such as daub (used in the construction of wattle and daub walls) found in the fills?

It could be an enclosure ditch for animals? A fairly small enclosure ditch dug for purpose? It is 15m in diameter, the land in Cambridgeshire is flat, and I think it would be fair to assume that the site shouldn’t be truncated too badly from ploughing, meaning the ditch won’t be too different in size now as it was then. The stake-holes could be a small wind break or shelter for the inhabitants.

The fill of the ditch was very dark and organic which could be the product of rotted wooden remains and settlement waste accumulated following the disuse of the feature. However, the ditch was also recut at one point indicating at least two phases of activity. I did also find what looks like a buckle or clothing attachment, this was in the uppermost fill of the ditch and with the wet weather was revealed, as it happens with my shoe.

Another thing I both love and hate about archaeology in almost equal measure is that we will never have the full story. Ever. From the way we have excavated it to how I was feeling on the day (looking back I was feeling a little soggy) to our social projections of the present on the past. Although there’s so much we can now tell from scientific analysis we have to accept that something will always remain an enigma.

Director, Mark Allen discusses why anyone would pay good money to fix a broken pot

Our find of the month for June is rather intriguing. It is a Roman mortaria, the ancestor to the modern day pestle and mortar we use today for crushing seeds and spices, and was found during monitoring of groundworks for a housing development in Suffolk.

Mortaria are not particularly rare objects, and they often turn up on Roman sites. However, what is rather special about this example that it was made in the 1st century or early 2nd century AD and has clearly been dropped and broken into a number of pieces, before being repaired. The repairs consist of twin sets of holes drilled through the sherds with lengths of lead used to ‘staple’ the pieces together: no UHU (other brands of glue are available) or sticky tape existing at the time!

Roman mortaria

Roman mortaria, used for grinding food, which has been broken and mended using lead staples

This may in itself sound pretty unimpressive, but the mystery is that with the repairs the mortaria would have become far less useful and could not have been used for crushing or mixing liquids anymore. ‘How is this interesting ?’ I hear you cry! Well, it gives us an insight into the social activities and values of the Roman who owned this nearly 2,000 years ago, a rare opportunity without inventing a time machine and popping back to observe the people themselves.

If we examine the vessel more closely we see other clues: the spout (to right of the photo) is quite worn suggesting it had seen a lot of use. This is further confirmed when we look at the inside of the bowl. Mortaria were made by pressing small, hard grits into the soft clay before firing, producing a rough, jagged surface to help crush the food inside the bowl. Modern mortaria do not do this because the grits would occasionally pop out and end up in the food, which is not very good for your teeth! In this instance, the grits have been all but lost or worn down, again showing that the mortaria had been used for a long time.

The time, effort and expense required to repair the mortaria would have been considerable considering it was now next to useless as a household item and it’s much more common to see repairs on fancy vessels like Samian ware (Willis 2005, 11.4), so why on earth would you repair such a thing? The most plausible explanation is that it held some intrinsic value to the individual who had it repaired. The object itself was important, less so its functionality. We can never be sure, but perhaps it was a present or had been inherited from a deceased relative or friend, and just the presence of the vessel was a reminder of them.

Archaeology is not just about preparing a record of the physical remains of former activities, it is also the study of past behaviour. Through the physical objects we gain insights into past lives. At a time that A Level archaeology has been scrapped and fewer universities are offering degree courses in the subject than once did, we should remember that the study of the past is important, in that it gives us the opportunity to learn from the mistakes of our ancestors. Perhaps now, more than ever, this needs to be highlighted.

References:

Willis, S, 2005, Samian Pottery, a Resource for the Study of Roman Britain and Beyond: the results of the English Heritage funded Samian Project. An e-monograph. http://intarch.ac.uk/journal/issue17/1/11.4_5.html

 

What is your job role?
Project Manager

How long have you worked for Allen Archaeology?
4 years

How would describe your excavation technique?
Formerly rapid bordering on cavalier

Mike the cowboy

Mike in his digging days

How long have you been working in archaeology?
19 years apparently!

How did you get into archaeology?
It was this or a trainee manager for a DIY store chain and at the time I didn’t know the simple joys of owning a shed.

What is the best thing about your job?
Changing the staff planner when Gav isn’t looking.

Specialist skills?
I know several ways to disarm angry people, which comes in useful when I change the planner.

Best site hut biscuit?
Always Jaffa Cakes by choice, even if for tax purposes they are technically cakes

Harvey Tesseyman, Project Archaeologist (Heritage Research)

My job in the Heritage Research team mostly involves writing desk-based assessments (DBAs) to establish and record what might be damaged if construction or demolition was to go ahead on a particular site: I take thousands of years of archaeology and history and condense it into a report. There’s a real joy in the neatness of it (if you’re into that kind of thing). If you’ve ever stood back and looked at your newly tidied living room or desk, with everything in its place, it feels a bit like that. It’s about teasing a coherent and useful narrative out of a seemingly endless set of information to a strict deadline. Generally DBAs are made up map regression, place name analysis, and analysing HER (Historic Environment Record) data, accompanied by a visit to the site to see what is ‘on the ground’.

Harvey at work

Harvey at work

Map regression refers to comparing a series of maps made over a period of time so you can see the changes and consistencies within a landscape. Some rural areas change very little, but as time goes on you often see huge spikes in the density of buildings. Medieval maps are often as artistic as they are utilitarian, drawn with an unusual perspective and often with hand painted illustrations. As the common land utilised by everyday folk was privatised and enclosed from the early 1600s, enclosure maps refer to prominent landowners and the winding medieval field boundaries give way to the authoritative grid-like structure that we still see today. Tithe maps keep track of what areas of land belonged to whom, and how much wealth that land was expected to render. Historic mapping is intrinsically linked to social and political history, what seem like simple changes to the borders of a field system or the establishment of a new settlement often represent huge societal changes.

Looking at place names also offers insight into the history of an area. Place names ending in “..chester”, or “..caster” often refer to Roman period occupation. Most people live near somewhere with the suffix “..ham”, which is derived from the Anglo-Saxon name for a farm or settlement. The “..thorpe” or “..by” suffix in a place name derives from the Old Norse “þorp” and “bȳ”, both meaning a small village or farmstead. A derivation alone isn’t enough to confirm settlement for a particular period, but it’s a good start. You’ll find lots of names like Kiln Street, Butchers Row, Mill Row, or Gallows Lane, which suggest how a particular street may have once been used. The history of Britain is quite literally written in its place names, although in typical fashion it isn’t usually written in modern English and requires some degree of translation.

HER data is a log of every important aspect of the historic environment. Artefacts, the location of settlement cores, listed buildings and anything else historic or archaeological are included and the data arrives spread across any number of PDF files and GIS shapefiles. First it needs sorting, then it gets categorised by period in a spreadsheet and imported into a GIS to get an idea of how it looks spatially. A strong concentration of Roman finds taking on a roughly straight distribution might indicate a ladder settlement belonging to a lost road, whilst medieval and post-medieval settlement cores often remain unchanged even into the modern period. The same goes for little villages centred around medieval churches. For the prehistoric period you can often see clusters of activity in particularly fertile areas, or along waterways.

I have more than a passing interest in landscape archaeology partly due to the ephemeral nature of early finds and the lack of maps for certain periods. The prevalence of barrows, trackways, and enclosures paints a reasonable picture of how the landscape was used. You can level a building, but it’s far harder to completely obliterate its place in landscape. My favourite thing by far about working in the team is the closeness to the historic environment; I can take a privileged look into the minutiae of someone else’s life, and the work goes a long way to arguing the point that the historic environment is something that needs protecting and preserving. Archaeology is more than just “stuff” and history is more than just “things”.

Excavating a skeleton in October 2014

Excavating a skeleton in October 2014

What is your job role?
Project Supervisor

How long have you worked for Allen Archaeology?
I started working for AAL in September 2013

How would describe your excavation technique?
Erratic – It’s a messy process, but normally produces good results!

How long have you been working in archaeology?
Since September 2013!

How did you get into archaeology?
Through a love of history, a burning desire not to work inside and just a little bit of luck I guess.

What is the best thing about your job?
The community aspects of it. I’ve been lucky enough to work on a few of our recent community projects and I love the buzz you get from engaging with the public and talking about archaeology. We have a pretty cool job and it’s nice to show it off!

…Also mud.

Specialist skills?
The ability to turn any conversation into one about cats??!

Best site hut biscuit?
The digestive. It’s a good honest biscuit that isn’t afraid of a little bit of tea.
Or a Custard Cream if I’m feeling fancy…

Guest blogger Rebecca Plumbe, University of Lincoln Masters student 

Objects can be very deceptive. Like people, most of them have secrets which stay hidden until you start questioning them. As a conservator, I am a nosey parker by nature. If I could, I would sit an object down under a blinding spotlight and interrogate it with endless questions: How old are you? What are you? What are you made from? And what were you used for? But I suppose that’s what I do when I conserve an object. Inanimate material things will not tell you anything and it is their silence which is the conservator’s challenge. What can I find out about this object to further our shared understanding of its purpose and its history? For the past three months, I have spent my time doing just this with an intriguing archaeological find excavated by Allen Archaeology that arrived disguised in the form of another object. But how can an object be misleading? Well, pull up a chair at the interrogation table as I reveal my findings . . . .

The suspected medieval mirror before conservation treatment

The suspected medieval mirror before conservation treatment

The object in question resembled a Medieval mirror case and had been found on a site close to a deserted medieval village. These kinds of mirrors were believed to be carried by Pilgrims, who thought that catching the reflection of a Saint would imbibe the mirror with their attributes. Initial observations and comparisons with other mirror cases from the period on the Portable Antiquities Scheme database revealed some striking similarities such as the circular recessed shape and the traces of a reflective metal inlay.

An 11th to 12th century mirror case (from Hinds 2010)

An 11th to 12th century mirror case (from Hinds 2010)

But all was not what it seemed! Underneath the layers of corrosion product hid a very different object all together. And one that was at least 900 years younger than was first thought!

Placing the object into the X-ray chamber for analysis

Placing the object into the X-ray chamber for analysis

Cleaning the object

Cleaning the object

Analysis using XRF (X-ray Fluorescence) determined that the object was composed of a metal alloy (brass) as both copper and zinc were identified, the thinner, shinier metal inlay was nickel. But the real surprise came during the mechanical removal of corrosion product from the surface. Slowly but surely, small incised markings began to appear upon the nickel inlay, followed by a distinct horse-shoe shape bearing the letters ‘B_E_ A_ U_ C_ O’ stamped onto the main brass body.

Small incised markings in the nickel inlay

Small incised markings in the nickel inlay

Stamped horseshoe-shaped makers mark

Stamped horseshoe-shaped makers mark

Markings such as these act as clues and allow us to do a little detective work. Although the lettering around the horseshoe was partially lost, due to the effects of corrosion, there was enough evidence to tie it to a French watch-makers, Pierre, Fritz and Louis Japy who manufactured under the name of ‘Beaucourt’. Time had finally caught up with the object’s true identity!

Beaucourt was the French town in which Japy Fréres (Japy Brothers) pioneered the mechanisation of time-piece manufacture, bringing the watch making process under one roof for the first time. Although Japy Fréres started making watches in 1770, the stamp located on this casing dates to around 1890-1900. Japy Fréres prided themselves on making time-pieces for ‘the common man’, so this particular pocket watch could be purchased at a reasonable price. The smaller incised markings appear to refer to the date at which the pocket watch was once repaired. The pocket-watch was nickel plated, which explained the presence of these thinner metal remnants along the lip of the casing.

Conservators tool kit and the watch case after conservation

The conservator’s tool kit. Mechanical removal of the disfiguring corrosion layers was achieved to stabilise and uncover the surface of the watch casing

So my time spent with a scalpel, dental tool pick and microscope was time well spent, as was the case (quite literally!) with this archaeological find. With the metal now stabilised and the maker’s marks once again visible, it can tell its true story. I like to think of objects as suspects: question everything until you discover the truth. Despite being inanimate, they can still pack a surprise or two!

References

Antique Horology, undated),Trademarks, Stamps & Signatures, [online] Available from http://www.antique-horology.org/Trademarks/default.asp [Accessed 1 March 2017].

Artclock, 2017, Japy Freres: Biography, History + Markings, Year, [online] Available from http://www.artclock.nl/horloges-pagina-2-info/11-japy-freres-history-marking-year-11a-kopie [Accessed 1 March 2017]

Artclock, 2017, Japy Freres: History + Mark, Year, Design Index, [online] Available from http://www.artclock.nl/11-japy-freres [Accessed 1 March 2017]

Hinds, K, 2010, WILT-F04EB6: A MEDIEVAL MIRROR CASE. [online] Available from https://finds.org.uk/database/artefacts/record/id/384545 [Accessed 17 Feb 2017].

Stephen-Smith, M, 2006, The Emergence of Modern Business Enterprise in France, 1800-1930. 1st edition, USA: Harvard University Press

Bryn Leadbetter, Project Archaeologist, Environmental Processing

In a far-flung corner of Whisby Lodge is a room visited by few. Room 4 (or 9) was once frequented by many. They came then, these folk, in search of tools, but now such utensils of mass earth removal are found elsewhere and there is no longer any reason to venture to this remote outpost. What takes place now in Room 4 (or 9), once likened to a cave, has been described as something akin to alchemy. I like this idea of my work being a dark art and I hesitate to discourage the thought, but in truth no such claim can be made.

In the simplest of terms environmental archaeology is the study of past people’s interaction with their natural environment – we use plant and animal remains to reconstruct ancient environments and farming practices and examine soils, sediments and other suitable deposits to explore how sites are formed. Pollen and isotopes are also studied, and much more still, but, sadly, nothing so wizard-y takes place in Room 4 (or 9).

Bryn floating

Bryn floating

The samples of soil that we collect may contain minute/microscopic plant and animal remains that can tell us about the economy and diet of the people who occupied the site, and the natural environment in which they lived. Fragments of pottery, flint and other artefacts may also be present.

To extract these items from the ‘mud’ a water separation system is employed, in a process commonly referred to as flotation. This consists of a number of tanks and connecting pipes around which water is pumped on a continuous cycle, overflowing from one tank to the next. The sample is placed in the first tank onto a submerged 1mm mesh and agitated to break the sediment up and release any eco/arte-facts contained therein. Light material, such as grain, seed, charcoal and shell, will float to the top and is carried by the overflowing water through a 300 micron mesh (1000 micron = 1mm), where it is collected. This material is called the flot. The heavy fraction of bone, flint and pottery along with stones etc. will sink but is captured by the 1mm mesh. This is called the residue. The finest fraction of clay and silt will escape capture and settle to the bottom of the tank. Of course, the overflowing water is instantly dirty and the purpose of the other tanks is to allow as much silt/clay to settle before the as-clean-as-possible water is pumped from the final tank back into tank 1 and the cycle to continues. After drying and bagging the flot is sent to a specialist for analysis. I sort the residue and retrieve any bone, flint, pot and so-forth. A spreadsheet is kept for the documentation of all this activity – and that’s what I do in Room 4 (or 9).

Flot, residue and bagged flot

Flot, residue and bagged flot