Tag Archives: Lincoln

Romans, Remembrance and Ritual

By Isobel Curwen, Heritage Research Supervisor (and osteologist on the side)

Warning: images of human remains feature in this post

Last month, we were invited by the International Bomber Command Centre (IBCC) to take part in their ‘Hands on History’ event as part of National Tourism Week. This event saw many attractions within Lincoln (and the UK) open their doors for free!

So on a sunny Saturday morning at the beginning of April I find myself arriving at the IBCC carrying a box containing the remains of a decapitated Roman individual (SK 1026). Luckily I didn’t get too many strange looks…

Wondering why? During 2014 – 2016 Allen Archaeology were involved in the excavation work prior to the IBCC and the memorial Spire being built. Early geophysical investigations had identified several anomalies within the area which were then investigated by a series of excavations in the location of the IBCC building and spire, the car park and the access road off Canwick Hill (Evershed, 2014).

During the course of the archaeological works on the site, the excavations revealed the remains of three Roman pottery kilns, two corn dryers, and 15 Roman burials, dated to the 2^nd to 3^rd centuries. Several possible quarry pits and linear ditches were also found. The final report is forthcoming, and will be published in due course, but preliminary analysis of the results of the archaeological investigations suggest that the site was formerly a self-sufficient Roman settlement complete with corn dryers and ditches marking the boundaries of the settlement. It is thought that the quarry pits were used to mine for limestone, a readily accessible resource which was used to build many parts of Roman Lincoln. The geographical location of the site, on high ground within close proximity to the city was also an important factor.

Interestingly, the graves were found on a variety of alignments and one individual was found with the head and some of the cervical vertebrae between the legs (suggesting they were decapitated), and another individual was found buried prone (face down). Burials of this type are occasionally found in Roman cemeteries and are referred to as ‘deviant’ burials.

So, bearing all this in mind, the event at the IBCC was Roman themed and I took along the individual that had been decapitated as well as plans and photographs of the site during the excavation. I laid out the individual in the way they were found in the grave and got many questions as to why I had put the head by the feet! I secretly enjoyed the look on people’s faces when I told them why…

It was a busy day and we had around 90 people visit. Personally, it was a great experience to be able to explain to people that the IBCC, now a focus for Bomber Command during WWII, was once a Roman settlement. Even more exciting was to be able to be showing an individual that was found beneath the building we were actually standing in!

Many thanks to Cova, Yvonne, Harvey and Chris for their help in the preparation of this exhibition and on the day itself too! Thanks also go to Emily from the IBCC for organising the event and for asking us to be involved.

Evershed, R., 2014, Archaeological Evaluation Report – Geophysical survey by magnetrometry for the proposed Bomber Command Memorial and Interpretation Centre, Canwick Hill, Canwick, Lincolnshire, Allen Archaeology Ltd

Happy Chinese New Year!

Today marks the start of the Chinese New Year (or the Lunar New Year), this year the Year of Dog, an animal which symbolises luck! However, doing any of the following is deemed unlucky: cleaning clothes, using scissors, sweeping floors and encountering crying children. Some omens are easier to avoid than others…

With the use of scissors being forbidden, that got us here thinking. Here in Lincoln, scissors were probably used as part of the wool trade. Lincoln’s attractive location along the banks of the River Witham facilitated a prosperous, expanding wool trade during the early medieval period with finished textiles transported east along the River Witham and then exported abroad (Pawley 2001). The flat, open agricultural land provided a perfect location to rear sheep.

Some rather fierce looking sheep from Lincolnshire…

In particular, two shades of these textiles were highly prized: the coveted Lincoln green and Lincoln scarlet. Lincoln was renowned for not just the high quality of dye used but also the consistency of the colour (apparently Kendal green which was notoriously inconsistent)! The green colour, created by dying the wool with woad and then with ‘dyers broom’, was less expensive than Lincoln scarlet, a cloth that was aimed at more affluent members of society (Santos 2013). Lincolnshire green (or greene as it was known) was, of course, made famous by being worn by Robin Hood and his merry men, or so legend has it.

Sadly, the textile industry collapsed between 1275 and 1300 AD. The loss of wool staple, which designated that Lincoln was a key place for its trade, was a result of increasing competition from both nearby towns such as Boston and from abroad (Stocker et al 2003).

So, getting back to the Chinese New Year, it appears we’re all exempt from doing laundry, using scissors and cleaning floors today – great news for a Friday! Although managing to avoid crying babies may provide more of a challenge, particularly for those here at AAL with young children…

References

Pawley. S., 2001, Maritime Trade and Fishing, 1500 – 1700, In: An Historical Atlas of Lincolnshire, Bennett. S, and Bennett. N (eds), Phillimore, West Sussex

Santos. C., 2013, Lincoln: Where Robin bought his ‘Hood’, The lincolnite http://thelincolnite.co.uk/2013/05/lincoln-where-robin-bought-his-hood/ (16^th February 2018)

Vince. A., 2003, The new town: Lincoln in the High Medieval Era (c.850-c.1350) pp. 159-249, In: Stocker. D (eds), The City by the Pool, Oxbow Books, Oxford

“Marion”: The Bourne Head Pot

By Feenagh Johnson, Project Supervisor

At the end of last year, Allen Archaeology (Marine division) undertook a small excavation in the Market Town of Bourne, Lincolnshire.

The site at Bourne

Now I maybe biased, having grown up a mere stone’s throw away, but I already thought the site was pretty exciting… and then this little lady turned up in the first excavated feature. She was covered in mud and in many fragments but enough of her features were visible to identify a face, and it was the unusual form of her hair that gave her the nickname “Marion” (as the frills looked like a medieval headdress).

Finding Marion

A muddy Marion

Although similar to their better known cousins, the face pot, head pots are usually made of a fine fabric with the body of the vessel moulded into the form of human head. Their exact nature is uncertain but it has been postulated that they are ritual vessels, with another notable Lincolnshire example, the “DON MERCVRIO” head pot, being dedicated to the cult of Mercury.

The fully cleaned headpot

However, the Bourne Head pot is unique; she is beautifully hand painted with a distinct hair style and facial features. It’s very possible that the vessel was “made to order” sometime in the 4th century AD, and it would be nice to think that she was modelled after an actual person before being ritually deposited… unfortunately we can only hypothesize!

illustration by C Bentley

Find of the month October – a Roman buckle

Roman buckle

By Yvonne Rose, Archives Supervisor with Mike Wood, Project Manager and Finds Specialist

Our find of the month for October is a rather nice example of a Roman buckle. This type of triangular-shaped buckle dates to the second half of the 4^th century and is found at predominantly military sites in Britain. Indeed, ours was found in Lincoln, just outside the east wall of the Roman city. In this period of history, buckles are still a relatively rare find, much less common than brooches.

The buckle was discovered together with other artefacts in the grave of an adult male. The other associated objects include a crossbow brooch, a small silver mount, a fragment of decorated copper strip which could be part of another brooch, the broken plate of a further buckle, as well as 10 iron nails which may indicate the presence of a coffin. All of these objects are typical of the burials of males from positions of authority in the late Roman Empire.

Buckles with triangular plates are known from both the late Roman and early Anglo-Saxon periods. Roman ones usually have openwork plates with D-shaped or, as with ours, kidney-shaped frames; whereas the Saxon ones tend more towards oval frames and solid plates.

The buckle is made from cast copper alloy and measures 50mm in length. The pin is present, as are three copper alloy rivets, one in each corner of the plate. From the junction with the frame, the arms of the plate extend to meet at a cleft terminal lobe with a pointed projection either side. The heart-shaped aperture of this buckle is particularly attractive.

German archaeologist H. W. Böhme studied buckles with integral triangular plates as part of his survey of late Roman artefacts in Britain, and the settlement of England by the earliest Anglo-Saxons (Böhme 1986, Liste 1, Abb. 5, Abb. 14). He dated them to the middle or second half of the 4th century and his map shows that they are found in small numbers not only in the British Isles but also along the European frontier of the Roman Empire, along the Rhine and Danube rivers.

Böhme, H W, 1986, Das Ende der Römerherrschaft in Britannien und die Angelsächische Besiedlung Englands im 5. Jahrhundert, Jahrbuch des Römisch-Germanischen Zentralmuseums Mainz 33 pt. 2

A Pietá from Lincoln

We have recently seen the return to our offices of a lovely piece of sculpture that we found in uphill Lincoln. This sculpture is a Pietá, a devotional depiction of the Virgin Mary holding the body of Christ after the crucifixion. The Pietá is one of the three main depictions of the Virgin Mary in art, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (Standing Mother). This form of artwork originated in 13th Century Germany before spreading to France, Italy and Central Europe. Many early wooden examples emphases the wounds Christ suffered on the Cross, whereas the later stone sculptures carved outside Germany focus more on the purity of the Virgin rather than on their suffering. Probably the most famous Pietá was carved by Michelangelo and now rests in St Peter’s Basilica, Vatican City. It is the only artwork that he ever signed, allegedly due because he had overhead people attributing it to his competitor Cristoforo Solari.

The Pieta shows signs of having been deliberately damaged during the Reformation

We found this Pietá during the construction of new buildings for Lincoln’s University Technical College (UTC) back in 2014. It is more than half a metre wide and, when complete, would have stood nearly a metre tall. Similarity to other examples from France, suggests that it may have been made in the mid-15th century. It was probably originally placed on the outside of a building, over a portal but had been reused in a retaining wall, the plain parts facing outwards, hiding its true form.

The sculpture is largely intact but the heads and feet of both Christ and Mary are missing (as are their right hands and Christ’s left shoulder and right knee). The missing heads and the reuse of the statue as building material indicate that it was probably defaced during the Reformation of the 16th Century. Icons of Christ and the saints were present in all Catholic churches but the new Protestant faith saw them as worship of false gods. Excavations on the church neighbouring Lincoln Cathedral, St Peter-in-the-Bail, found evidence of iconoclastic destruction from this period. The heads and hands of saints, both in sculpture and in paintings, were the main targets during this religious vandalism. C. Pamela Graves suggests this was done to remove any power from the saints personification and as a test of the idol and its supposed sainthood. For example when a statue of St Katherine was thrown into a fire, it not burn and by it burning it proved the idol was a sham. There is also a tale from the Old Testament about an image of the Assyrian deity Dagon who was struck down by God by having his head and hands cut off. Removing the head and heads of an idol also mirrored the punishment that was inflicted on heretics.

References:

Graves, C P, 2008, ‘From an archaeology of iconoclasm to an anthropology of the body : images, punishment and personhood in England, 1500-1660’, Current Anthropology, 49 (1), 35-57

The Rt Revd Lord Harries, 2015, ‘The Pieta in Art’, [Transcript] https://www.gresham.ac.uk/lectures-and-events/the-pieta-in-art

Christina Colyer – Lincoln’s Trowel Blazer

Christina Colyer, Lincoln’s first Field Archaeologist

Last year we celebrated the female archaeologists based at AAL and how they found their way into their careers. This year we have decided to highlight the work of Lincolns first City Archaeologist; Christina Colyer.

Christina Colyer was the Director of the Lincoln Archaeology Trust, the first ‘unit’ formed in Lincoln in 1972. It is under her leadership that the most prominent excavations in the city took place. The results of her work can be seen across the city and include the work at pivotal sites including the western defences of the lower town and St Paul-in-the-Bail.

She started working in Lincoln as the speed of post-war development was beginning to overwhelm the Lincoln Archaeological Research Committee’s ability to keep up. She herself described the problem as “of horrific proportions”. It has been difficult to track her down, no obituaries appear in local journals, and in a time before the internet her mark has been left in a series of tantalizing clues. She seems to have worked in Bedfordshire for the Department of the Environment before starting in Lincoln. Various correspondence indicate that she had a B.A. and was a Fellow of the Society of Antiquaries.

People remember her as both charismatic and controversial. Perhaps this is why she is barely visible today. Those who worked for her suggest she was an outspoken woman and that this was not always popular.

A recent Appreciation of Margaret Jones, a leader of the Mucking excavations, suggested that women have been considered largely absent during the Rescue period of field archaeology of 1950s to 1970s. However, Christina (like Margaret) was one of a number of women who directed major excavations across the UK.

Scandalous, controversial or charismatic, archaeology in Lincoln would be a different place had Christina not paved the way for the current generation of archaeologists who continue her work.
For a detailed bibliography see here

Lecturing on the Roman remains

A huge thank you to Alastair MacIntosh at City of Lincoln Council for providing the photographs.